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From the award-winning author of Remains of the Day comes an inspired sequence of stories, which is as affecting as it is beautiful.
With the clarity and precision that have become his trademarks, Kazuo Ishiguro interlocks five short pieces of fiction to create a world that resonates with emotion, heartbreak, and humor. Here is a fragile, once famous singer, turning his back on the one thing he loves; a music junky with little else to offer his friends but opinion; a songwriter who inadvertently breaks up a marriage; a jazz musician who thinks the answer to his career lies in changing his physical appearance; and a young cellist whose tutor has devised a remarkable way to foster his talent. For each, music is a central part of their lives and, in one way or another, delivers them to an epiphany.
From the Trade Paperback edition.
- Sales Rank: #219848 in eBooks
- Published on: 2009-09-09
- Released on: 2009-09-22
- Format: Kindle eBook
From Publishers Weekly
This suite of five stories hits all of Ishiguro's signature notes, but the shorter form mutes their impact. In Crooner, Tony Gardner, a washed-up American singer, goes sloshing through the canals of Venice to serenade his trophy wife, Lindy. The narrator, Jan, is a hired guitar player whose mother was a huge fan of Tony, but Jan's experience playing for Tony fractures his romantic ideals. Lindy returns in the title story, which finds her in a luxury hotel reserved for celebrity patients recovering from cosmetic surgery. The narrator this time is Steve, a saxophonist who could never get a break because of his loser ugly looks. Lindy idly strikes up a friendship with Steve as they wait for their bandages to come off and their new lives to begin. In the final story, Cellists, an unnamed saxophonist narrator who, like Jan, plays in Venice's San Marco square, observes the evolving relationship of a Hungarian cello prodigy after he meets an American woman. The stories are superbly crafted, though they lack the gravity of Ishiguro's longer works (Never Let Me Go; Remains of the Day), which may leave readers anticipating a crescendo that never hits. (Sept.)
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From Bookmarks Magazine
Ishiguro blends musical concepts with their literary counterparts in his latest work, and Nocturnes has the ephemeral quality of a song cycle with recurring themes and motifs developed in different prose keys. Though critics admired Ishiguro's lovely writing, "unassuming to the point of near-invisibility, like a lake whose still surface belies the turbulent currents beneath" (Los Angeles Times), they took issue with his characters—insubstantial and unconvincing when compared to the haunting creations found in his novels—and his implausible plot developments. Perhaps Entertainment Weekly summed it up best by stating that Nocturnes, by any other writer, would be praiseworthy; by a celebrated author like Ishiguro, it can best be likened to a minor work from a master composer.
Review
"Expressive and harmonic, delicate yet substantive. . . . [A] true virtuoso performance."--Christian Science Monitor
"In both craft and substance Nocturnes reveals a master at work."--Seattle Times
"Immaculate."--Los Angeles Times
"Ishiguro is, as always, a master of style and tone . . . . [Nocturnes] build[s] into a melancholic soundtrack. We're helpless to do anything but listen."--Time Out New York
"Tight and assured. . . . Suffused with sympathy." --Time
“These stories recall Ishiguro's best known novel, The Remains of the Day. . . . By now it is clear that this exquisite stylist is serious in his pursuit of a minimal - perhaps even universal - mode of expression for the emotional experiences that define our lives as human.”—The Times, London
“Superb . . . a deceptively plain and easy style that rides on the surfaces of manners and decorous behavior.”—Providence Journal
"A brilliant new book . . . art, its dangers, its pains and its gaiety [are] all topics seriously considered in this accomplished book."-Frank Kermode, London Review of Books
"Ishiguro blends musical concepts with their literary counterparts in his latest work, and Nocturnes has the . . . quality of a song cycle with recurring themes and motifs developed in different prose keys."--Bookmarks magazine
From the Trade Paperback edition.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Involving Collection with One Great Story
By Ethan Cooper
"Cellists", the final story in NOCTURNES, is superior work. In this story, a young cellist, Tibor, works closely with an unconventional teacher, Eloise, who makes him feel like he is a superior musician. Eventually, the story shows that Eloise, who considers both herself and Tibor to be virtuosos, has a sensitivity to music that is beyond her musicianship. Nonetheless, their musical interaction has a lifetime effect on Tibor, who thereafter has to adapt his talent and sense of virtuosity to his opportunities.
IMHO, the four other stories in NOCTURNES are less successful. Why? In "Cellists", Ishiguro presents, explores, and resolves a situation. But in his other stories, he captures characters after a transformational event has occurred ("Crooner") or life-shaping attitudes have formed ("Nocturne"). Or, his stories capture moments before an emotional situation has attained focus ("Come Rain or Come Shine" and "Malvern Hills"). These stories, in other words, present, but don't really resolve a dynamic. They read like they could be chapters in longer works that Ishiguro will never write.
The subtitle of NOCTURNES, "Five Stories of Music and Nightfall", is atmospheric and right for Ishiguro, whose stories don't really convey a clear sense of place, even though he identifies the location of his first four stories as Venice, London, Malvern Hills, and Hollywood. These stories unfold in dream-like bubbles, where the characters and the small decisions they make often seem a trifle weird and implausible.
Even so, an alternative and more telling subtitle might be "Five Stories of Success and Relationships," since the issue of success within difficult or strange relationships is at or near the center of these stories. Recommended.
0 of 0 people found the following review helpful.
Do not bother.
By Marilyn
Had high hopes but, alas. Each story started well but ended mysteriously. In other words, the endings made no sense. I would not recommend it. Ishiguro's best: The Remains of the Day and, my all time favorite(which I read twice) Never Let Me Go. He is a good writer, is a pleasure to read but, I like my stories to make sense.
0 of 0 people found the following review helpful.
Not as good as his novels
By risk
Nice stories, but the stories don't live up to my expectations. By far not the same power and art as his longer novels.
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